#FFmpeg

A 4 GB laptop GPU once sent every heavy job to a borrowed Colab runtime. Deciding per piece of work instead — by a measured number, by reliability, by a change of method — split one project across three places and deleted 9975 lines of machinery on the way home.

Each project began with its interface served from inside the borrowed Colab runtime, through Colab's own proxy — until Colab warned against it. Moving the interface out made the runtime a pure worker, and left two codebases held together by nothing but an agreement.

A recording is two halves and usually only one is broken. Cleaning up the audio repeatedly, without watermarks or caps, needed a filter already compiled into ffmpeg — and eight further decisions that had nothing to do with noise, including the one whose proof is a matching hash.

Free converters stamp a watermark on web assets by design. Four small ffmpeg wrappers do the job locally, and the watermark was the least of it: the real work was choosing the quality, preset and GIF palette flags ffmpeg lets you get wrong.